Meaning Of Helter Skelter

The Stunt Man

On the run from the cops. Why...? That's a story for later, seeing as how he's too busy darting through the woods to talk about that quite yet. Just when Cameron thinks he's in the clear, some sixty-something-year-old sedan -- what is that, a relic from World War I? -- tries to run him down. In a fit of desperation, Cameron sends the car careening off the bridge, and both it and the driver trapped inside plummet deep, deep, deep into the water below. When a helicopter soars upward a fraction of a second later, Cameron fully expects that the police have caught up to him, but...no. Inside are a smartly dressed British director and a massive 35mm camera. Eli Cross is in town filming his WWI epic, and completely fascinated by this wild young man, he sees an opportunity. Eli knows this fugitive wants to keep out of sight, and what better place to hide than among a sprawling film crew? A quick shave, a job title, and the word of an authoritarian director ought to silence any suspicions. Of course, Cameron's going to have to earn his keep. The shoot is down one stunt man, thanks to him, so who better to fill the vacancy than Cam? At first, everything appears to be going swimmingly. Cameron ducked tracer fire in Vietnam for two years straight, so squibs and jumps and rolls don't have him breaking a sweat. Cameron is clearly the teacher's pet, he has a gorgeous starlet by the name of Nina Franklin writhing all over him, and he gets $600 a pop for every stunt he pulls off. The only thing is that he starts to feel less like a stunt man on the set of a multimillion motion picture and more like a guinea pig being nudged through some deranged scientist's maze. As the lines between reality and illusion continue to blur, Cameron can't quite shake the feeling that Eli is trying to capture his death on film...

The Stunt Man defies description. Like so many of the greatest films hailing from the 1970s, it's a collision of the commercial and wildly artistic. Someone who was only halfway paying attention could still take The Stunt Man as a popcorn movie: soldiers frantically exchanging gunfire, dogfights mid-air, dizzyingly acrobatic leaps, cars careening off bridges, a couple of sex scenes, even more explosions, and an honest-to-God love interest for good measure. It's a film at least in part about the stuntmen who risk life and limb to make movies feel like such an adrenaline rush -- jumping open drawbridges, Tarzan-ing from a vine...

Olle Hedberg - Helter Skelter Lyrics

When I get to the bottom I go back to the top of the slide
Where I stop and I turn and I go for a ride
Till I get to the bottom and I see you again.

Do you, don't you want me to love you
I'm coming down fast but I'm miles above you
Tell me tell me tell me come on tell me the answer
You may be a lover but you ain't no dancer.

Helter skelter helter skelter
Helter skelter.

Will you, won't you want me to make you
I'm coming down fast but don't let me break you
Tell me tell me tell me the answer
You may be a lover but you ain't no dancer.

Look out helter skelter helter skelter
Helter skelter

Look out, cause here she comes.

When I get to the bottom I go back to the top of the slide
And I stop and I turn and I go for a ride
And I get to the bottom and I see you again

Well do you, don't you want me to make you
I'm coming down fast but don't let me break you
Tell me tell me tell me the answer
You may be a lover but you ain't no dancer.

Look out helter skelter helter skelter
Helter skelter
Look out helter skelter
She's coming down fast
Yes she is
Yes she is.

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